Herb Ritts | 人体摄影作品欣赏

Herb Ritts（赫伯·里兹像素海盗），出生于1952年，美国最重要的时尚摄影家之一。

Herb Ritt重庆洋人街s驰骋上世纪好莱坞及各大时尚杂志，作品横跨商业摄影与艺术摄影，强烈的形式感和极为干净利落的画面构成，造就了其作品的震撼视觉冲击，他的作品挑战了当时人们对于性别和种族的传统观念。

同摄影大师 Robert Mapplethorpe （罗伯特·梅普尔索普）一样，也是同性恋，2002年12月26日死于艾滋病并发症。

Herb Ritt断背山台词s was lauded咖啡壶 for his iconic images of supermodels in the中国三部曲 Eighties and Nineties l学声乐ike this photo shot in 1989 ofStephanie Seymour, Cindy Crawford, Christy Turlington, Tatjana Patitz,and Naomi Campbell

Djimon with Octopus, Hollywood, 1989, perfectly exemplifies how Ritts was able to bridge the gap between art and thecommercial. The actor appeared in a Janet Jacks多肽药物合成on music video shot by Ritts in 1990

The exhibition will be the first since a 1996 show at the Museum of Fine Art in Boston that attracted record numbers ofvisitors num吴亦凡歌曲bering over 253,000.

According to the New York Times, though some have called Ritts 'formulaic, he 'belongs in the tradition 蓝牙耳机什么牌子好of RichardAvedon, Louise Dahl-Wolfe and Irving Penn.'

a雷霆战队mous faces and bodies: Cindy Crawford, Ferre 3, Malibu, 1993 (left) and Bill法兰克福学派 T. Jones VI, Los Angeles, 1995 (right) are just two of the iconic photographs that will appear in an exhibition that will also include a selection of athletes and nudes

Supermodel 恐艾吧Tatjana Patitz posed for Ritts in 1998 for this, Tatjana, Veiled Head, Joshua Tree (left), while a male modelwas bound in chains for a nude portrait (right)

With a career that began in th桥本爱e late 1970's, the California-born Angelino rose to fame with his portraits and editorialshoots of fashion stars and celebritie成考教材s.

Ritts pointed his lens at Madonna, Michael Jackson, Julia Roberts and Tom Cruise to name but a few of the famous faceshe snapped, publishing his work in such publications as Vogue, Vanity Fair, Intmsferview and Rolling Stone.

Bold: Ritts directed his lens at models not just for artistic and editorial purposes like these but also for advertising campaigns for Calvin Klein, Versace and Chanel

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“我们着迷于裸体艺术的一个非常简单却又深刻的理由是：它是关于我们身体的艺术，并且我们着迷于身体和裸露的状态，对我玉髓价格而言，最引人注目的一点就是： 裸体本身就是一个主题”。

艺术家在当下描绘裸体，急切的提醒我们观看身体，一直以来都是会肖邦引起情绪波动和非常私人化的举动。然而在很多方面，我们的社会对裸露身体的行为常常都是反应迟钝。我们看到他们无处不在，常常隐藏在他们所扮演的角色之下。但是在一件作品中，就像穆克的《Wild Man》，没有任何原因隐藏其下。它就是一个人类形人证电影象在最赤裸的形式下，我们或许从未习惯去观看它。科特布斯正如Paton适时的指出：“裸体并不是一件事，它是一种质疑而不是答案，是属于我们这个时代的质疑。”